PARISATORI'S FIRST RECORD : "LA FIANCÉE D'URANUS"

AT THE ORIGIN OF THE PROJECT, PATRICK JOUANNEAU & RICHARD F. TABBI, respectively musician and author, wanted to merge their mutual passion for music and litterature.
PARISATORI's emblematic and founder project, the record « La fiancée d'Uranus » was born of both artists’ will to mix their own specificities in a total overlap between music and text. The idea was that P. Jouanneau would create music which would be jewel-cases for RF Tabbi's texts, prefering the moods rather than virtuosity, and calling musicians from different areas like, jazz, blues, rock. The massive use of computers is also very important in PARISATORI's sound, whose purpose is to make machines become sentimental things.
PARISATORI takes the listener to a trip through words and notes. From the frozen inmensities of “Uranus” where exiled souls have incredible phone conversations, to futuristics cities enslaved by technology (Technopolis), where Philip K. Dick's androïds dream of electric sheep (moutons électriques) or, why not, of city of light, (Ville-Lumière)), humans and machines talk together. Some are getting crazy, thinking that ants and dogs are everywhere (les fourmis & les chiens), others launch the ALERT on their control-screens, haunted by the cathedrals of lights (les cathédrales de lumières).
In a downtown club's smoky atmosphere, a man, who looks like a character from a Charles Bukowski's short story (Johnny le rétamé), is sinking to the end of night, while on stage a band is playing the Silent Friend Blues. But the tempest-birds are already swooping down on Central Park, destroying New York City.
This is also a trip through time, when we explore into the rising of humanity (La longue nuit), even in space-time, when Hubert Reeves reveals the universe's secrets in his transatlantic poetic prose. Finally, the trip is also the fascination for Pourpre d'Automne and her long liana legs, the trip for the Other, through the Other, by the Other. As Blaise Cendrars puts it: « Take me to the end of the world » Emmène-moi au bout du monde).

The record is achieved and masterised thanks to the great Fred MASSON from MASTERING SUITE.